Jon Burgerman is a multidisciplinarian artist and illustrator who has created a unique, distinctive style of his own. Often working on a large scale, his loose, colourful creations are instantly recognisable and have graced all manner of client commissions, personal work and solo gallery shows around the world. Alongside drawing on stuff he lectures at a number of universities and produces lots of lovely things for you lucky people to spend your money on in his excellent shop – in need of an laptop sleeve, pillow or pair of socks? Get them all and much, much more at Burgerplex.

Mr. Burgerman kindly agreed to be the first Ten Questions participant of 2012 and we’re very happy to get him involved in the series. Read on for plenty of random ramblings, beautiful doodles and a glimpse inside the mans mind – it’s an interesting place to be.

Keep reading…

Born and based in Illinois, Chad Wys is a ‘visual conceptual artist, designer and writer’. His work covers a number of mediums including digital manipulation, painting, sculpture and mixed media, and his interest is largely focused around the deconstruction and appropriation of pre-existing images and objects. His work explores ways of finding a new meaning within the art he finds by altering and playing with what’s already there. After coming across his work on sites such as Ffffound and Behance, we got in touch with Chad to see if he’d be interested in answering our Ten Questions. Luckily for us, he was.

Read on for an insight into the thought process, concepts and inspirations that go into Chad’s work.

Keep reading…

Simon Birch is and artist based in Hong Kong. Working mainly in large-scale, figurative oil paintings, his recent direction has included installation and film. Past exhibitions have been held throughout the world including at London’s Haunch of Venison Gallery and Tokyo Museum of Contemporary Art. With more recent shows in Hong Kong, such as ‘Laughing With A Mouth Full Of Blood’ and a large-scale collaborative exhibition entitled Hope & Glory. Filling the 20,000 square feet of ArtisTree Exhibition Space in Beijing’s Taikoo Place, the installation took the viewer through a metaphysical world, or ‘conceptual circus’ and saw Birch working alongside a broad range of collaborators including artist Stanley Wong, photographer Wing Shya, British music producer James Lavelle, filmmaker Eric Hu, designer Douglas Young, architect Paul Kember, actor Daniel Wu and Beijing-based artist Cang Xin. Birch’s work explores the concept of ‘universal ideas of transition, the ambiguous moment between an initiation and a conclusion, the unobtainable now and the future, inevitably crashing towards us’.

His work has been featured and reviewed in many international publications, including Artforum, The Guardian, The International Herald Tribune, Time Out and the New York Times. He was kind enough to take some time out and get involved with our Ten Questions series.

Keep reading…

In 1991, after being told by his tutors at Chelsea College of Art and Design that he ‘wasn’t good enough’ to become an artist, John Dowling realised he needed a change of direction. When someone encouraged him to pursue Graphic Design, he went for it although does admit to not knowing exactly what it was at the time. In the years since then he’s learnt in no uncertain terms what it means to be a graphic designer and has honed his skills at some of the most prestigious agencies around.

Starting his employment at the now defunct Area (a studio established by two former designers from Peter Saville Associates) John went on to stints at the almighty Pentagram, SEA and Frost before setting up Dowling Duncan alongside his former Pentagram colleague Rob Duncan. They’ve used their wealth of experience to produce a great body of work for clients such as AIGA, Apple, The British Museum, Google, John Lewis, Microsoft, The Serpentine Gallery… This list goes on.

John kindly agreed to get involved with our regular Ten Questions series. Here’s what he had to say…

Keep reading…

A retreat to Japan in an attempt to escape London for a while was the starting point for John Paul Thurlow’s best known work. Whilst drawing the contents of his room he came across a travel sized copy of British Elle and recreated the cover as a pencil drawing (amending the title to read ‘Hell’ as an expression of his mood). From that point on John Paul has made it his mission to ‘recreate cover art for every great magazine and record’ he owns. The meticulously intricate drawings are far from perfect reproductions – they are filled with his own additional scrawlings, notes, thoughts, feelings and scribbles to make them a one of a kind piece of art based on a mass produced piece of media.

John Paul was kind enough to take the time out to answer our Ten Questions.

Keep reading…

We noticed the other day that our Ten Questions series has had a rather severe shortage of photographers. While the majority of focus on the blog has been on graphic design, our influences and inspirations come from far and wide. Photography is one of those areas and we plan to showcase plenty more of it on the blog in the future. Will Robson-Scott is a photographer who came to my attention some time ago with his series showing the London grime movement. Shining a light on the more outsider or marginalised subcultures has become a bit of a theme in his work, the most recent example of this being his Ego Bombing series, showing graffiti writers going about their business in and around London. The series eventually became the basis for Crack and Shine, a book produced in collaboration with publisher Fred Forsyth, TopSafe and Vans. The success of Crack and Shine enabled the collaboration to continue in the shape of Crack and Shine International, where Robson-Scott travelled to various major cities around the world to document some of the most well known graffiti writers in their natural habitat.

Will was kind enough to take some time to answer our Ten Questions.

Keep reading…

We first became aware of the work of Liam Brazier through the image bookmarking site Ffffound. His illustrations of Star Wars characters and superheroes in a distinctive, skewed style caught our attention = simple, stylish and refreshingly original. We checked out his portfolio and saw a wide range of varying styles and techniques in both static and moving image for clients such as Dazed & Confused, Creative Review, Design Week, Glastonbury, the Museum of London and Virgin TV. So, we thought we’d get in touch to see if Liam would be interested in answering our Ten Questions. He kindly obliged and gave us the following insight into the life of an illustrator – although please, don’t call him that.

Keep reading…

Seeing the logo you designed emblazoned down the side of a 747? The commemorative stamps you designed becoming collectors items? Garnering every award going whilst picking up a host of new clients along the way? These are the kind of things most designers would eat their own MacBook to have acheived. Johnson Banks are an agency that has ticked the above, and much more, off their to-do list. Virgin Atlantic, The Royal Mail, The BFI, Blackpool Pleasure Beach, Yell.com, More Th>n and countless other companies, government organisations, universities and charities have been queueing up for re-brands and design work from them. At the helm of the operation is Michael Johnson. Amazing designer, guitar obsessive, brilliant writer, regular contributor to Creative Review & Design Week and very down to earth, nice guy.

His excellent Thought For The Week Blog is also a must read for anyone with a passing interest in what happens behind the scenes in one of the UKs most respected agencies. Michael kindly agreed to take time out answer our Ten Questions.

Keep reading…

Brighton-based designer Kyle Bean is two things: 1. A conceptual, passionate and dedicated creative who has made a name for himself with thoughtful and beautifully crafted work for a number of high profile clients. 2. A really nice, down to earth bloke.

Since graduating from Brighton University in 2009 Kyle has gone on to complete freelance projects for Wallpaper*, The Financial Times, New York Times Magazine, Selfridges, Liberty, Diesel and Hermes. Whilst his work covers a range of disciplines and styles, his most recognisable projects involve 3D objects crafted from paper, cardboard, wood and… eggshells. With a great body of client work and personal projects under his belt, we thought we’d ask Kyle to answer our Ten Questions.

Keep reading…

For the latest installment of our Ten Questions series we got in touch with Cornwall based Ben The Illustrator. For over a decade Ben’s unique views of the world have been wrapped around cars, stretched along shop walls, solved problems, covered magazines, advertised fruit juice, satisfied clients, accompanied orchestras, adorned underwear and welcomed you at airports. Having worked with the likes of BBC, Cadbury’s, Girl Scouts of USA, Michelin, Honda and Land Rover amongst others, Ben has helped make the world look a better place. He likes to keep busy too. If you haven’t already seen he’s dreamt up a new way to market himself with bensseasonalbillboard.com, and recently oragnised www.therenmenproject.co.uk.

Ben kindly took time out of his busy day to answer our Ten Questions.

Keep reading…